CrownVision: Virtual AI Consulting, Upcycling

Introducing CrownVision Labs; a D2C collaborative, digital-first, and risk-free eco-consulting experience that we are piloting for both new and previous customers of the Stevie Crowne brand.

It is a circular design service where we breathe new life into your preloved wardrobe, or personally sourced vintage, deadstock items. Using virtual AI redesigning tech, Stevie Crowne can digitally reimagine existing wardrobe pieces into something entirely new before we ever touch a needle—giving you a risk-free preview of your garment’s physical transformation. 

We believe the most sustainable garment is the one you already own or exists on a thrift store rack waiting to be reborn—but we also know that taking the leap into upcycling can be daunting. CrownVision Labs removes the guesswork. Our AI redesign phase ensures you see the future of your wardrobe before a single cut is made.

Visit steviecrowne.com/crownvision-lab-virtual-upcycling/ to learn more!

AW26 NEW ARRIVALS TO POP PR LONDON – LOS ANGELES

POP PR LONDON CONTACT

EMAIL: [email protected]

PHONE: +44 07748 480396

POP PR LOS ANGELES CONTACT:

EMAIL: [email protected]

PHONE: +1 323 694 6267

Destin Conrad Wears AW26 Titan Chestplate For Love On Digital Tour

Destin Conrad wore our upcoming AW26 Titan inverted slashed chestplate for his Love On Digital Tour stop in Cologne, Germany. Thanks for having me at the Paris show and congratulations on the Grammys 2026 nomination! Styled by Sophia Nieser.

The full AW26 Titan collection launches this upcoming February on our London Fashion Week digital profile, In House + Pop Group Showrooms, www.StevieCrowne.com, and Uppfirst.

Van Goth Wears SS18 on Canada’s Drag Race S6E1

Our SS18 “Underground Monarch” runway collection blazer was worn by Van Goth on the Season 6 Premiere Of Canada’s Drag Race drag confessionals last night.

When I created this collection I aspired to merge the concept of regality and upcycling; known at the time to be polar opposites before sustainability was in the global mainstream. It was a reclamation of the eco-narrative through my craftsmanship. So cool to see it brought out of the archive 7 years later on a next generation #RPDR QUEEN!